Zion Narrows Service Project
September 8, 2012



Price: US $60.00

Fall Wildflowers
September 15, 2012


Price: US $60.00

Pine Valley Area Geology
September 17, 2011


This field trip will examine the geology of the northern Pine Valley Mountains and adjacent areas of southwestern Utah.
Price: US $60.00

Thursday Trek
September 20, 2012


Price: US $45.00

Wednesday Naturalist Walk
September 26, 2012



Price: US $45.00

Geology of the Grand Staircase
September 29-30, 2012



Price: US $110.00

Wednesday Naturalist Walk
October 3, 2012



Price: US $45.00

Thursday Trek
October 11, 2012


Price: US $45.00

Rim to Floor or Rim and Back
October 12, 2012


Price: US $65.00

The Ferns of Zion
October 13, 2012


Price: US $60.00

Rim to Floor or Rim and Back
October 19, 2012



Price: US $65.00

Fall Journaling at Zion
October 26, 2012


Price: US $60.00

Fall Foliage Photography
October 27-29, 2012


Price: US $275.00

Looking Up - Painting Zion's Skies and Cliffs in Watercolor
Monday, October 31, 2011

CLASS FILLED

St. George, UT artist Roland Lee has been painting the canyons and cliffs of Zion National Park for over 30 years. A signature member of the National Watercolor Society, Roland

Archaeology Service Project
October 29-30, 2012



Price: US $110.00

Power of a Strong Block-In by Joshua Been
Tuesday, November 1, 2011

CLASS FILLED

Because the workshop is of such a short duration,time is of the essence. I will start the workshop by explaining my four pronged approach to effective picture making; Shape, Value, Edges, Texture.

Plein Air Realism
Wednesday, November 2, 2011

This two-hour workshop will be a demonstration presenting surface prep, the pallet, then a color and value study.

Zion Geology
November 3, 2012



Price: US $60.00

Thursday Trek
November 1, 2012


Price: US $45.00

Wednesday Naturalist Walk
November 7, 2012



Price: US $45.00

Working With Light in the Landscape
Thursday, November 3, 2011

CLASS FILLED

This is intended to be an introductory review of the problems facing plein-air painters in the Western landscape. In a short two hour period it is not possible to grasp the full spectrum of issues facing the plein-air painter working in the brilliant Southwestern light. What can be accomplished, however, is a review and understanding of the approaches to working with light on canvas.